Silambattam movie review

Cast: Silambarasan, Sana kaan

Producer: Lakshmi Movie Makers Limited

Director: Saravananan

Music Director: Yuvan Shankar Raja

Movie Review:

Silambattam is a typical mass masala entertainer. It is another 'Formulaic' film revolving around a larger than life hero, who romances, does comedy, speaks only in punchlines, has deep sentimental bond with his family, and is a one-man fighting machine who emerges triumphant in the end!

The tested formula has worked wonders for an array of young stars who were inspired largely by the Superstar Rajinikanth. Simbu also wants to be a popular mass hero and the route he has taken is doing such films which appeals to a large section of Tamil audiences who doesn't enjoy films that test's intellect and imagination.

There is nothing original about the story; it has been etched from various Tamil, Telugu and an old Hindi film. What makes the film watchable is the packaging, which moves at a rapid pace, though at times this 2 hour 45 minute film tests your patience.

Vichu (Simbu) is an appavi (innocent) temple priest who is brought up by his grandfather (Nedumudi Venu) as a coward. Janu (Sana Khan), his neighbour, a talkative, pretty Brahmin girl is crazy about Vichu but she wants him to be brave and smart. But behind the coy and innocence, our hero Vichu has another side to him. Like an elephant he does not know his strength and soon he uses it against some local goons who come in his way.

Dorai Singam (Kishore) a local MLA who is a thug, lords over the area and he wants to take procession of villagers land for building a beer factory. His rival Muthuvel (Prabhu) who was in jail comes out and crosses sword with Dorai. But Vichu intervenes and he beats Dorai’s men single-handedly. Muthvel is shocked to see Vichu who has a striking resemblance with his younger brother Tamizh(Simbu) who was killed by Dorai. What is the connection between Tamizh and Vichu? All the drama unfolds in the second half.

Actually the first half is a bit slow with Santhanam’s crude comedy and the romance of Vichu and Janu . After the censors gave more than a dozen cuts and an UA certificate, the film still reeks of double entendre, crude gags, crass toilet jokes, and lots of blood and gore. But the story gains tempo and unfolds in a racy manner in the latter half with a well-shot Tamizh’s introductory song and his cute romance with Gayathri (Sneha).

Silambattam is not devoid of faults – Double meaning dialogues, the girls massaging Panchamritham on Vichu’s body and excessive violence when a 10-year-old is on a killing spree and songs pushed into the narrative in the first half.

The scenes that stand out are the lead to the climax, when Vichu in Billa get-up meets the villain and the punchlines that follow are a scream, Karunas subtle comedy that evokes laughter, the beautiful visuals atop a train with Tamizh-Gayathri romance, pleasing photography by Saravanan, action scenes by Kanal Kannan, spunky choreography and Yuvan’s songs and background score are noteworthy.

Simbu dances like a dream and shines in this film with a performance that is measured and meticulous. As the cheerily upbeat Tamizh and the innocent Vichu he invests an equal amount of energy and style. Sana Khan looks lovely and makes an earnest attempt in the acting department too but in a film like this, that's plenty effort. Sneha does her bit with grace while Prabhu is just ok. Kishore is menacing as the villain.

On the whole, it’s a decent masala entertainer aimed at mass audiences.

Karzzz Movie review

Karzzz

Anupama Chopra, Consulting Editor, Films

A cartoon in a recent New Yorker magazine showed a director pitching a movie to a studio head. The director suggests: Let’s remake an old classic with worse everything. The pitch meeting for the new Karz must have been similar. Director Satish Kaushik’s Karzzz is Subhash Ghai’s 1980 cult film with worse everything. Let’s begin with the hero, Himmesh Reshmmiya. In the publicity interviews for the film, Himmesh has repeatedly declared that he should not be compared to Rishi Kapoor, the original film’s hero because while Rishi was a handsome star, he, Himmesh is not at all good looking. The humility is appreciated but stating the truth doesn’t change it.

Himmesh, despite intensive styling and waves of hair on his head, remains, an acquired taste. He continues to sing with his trademark nasal twang but the unkindest cut is that here he tries hard to act. The scenes in which he attempts to emote by narrowing his eyes and furiously moving his lips are pure comedy. His new heroine, Shweta Kumar redefines vapid. So Urmila Matondkar, who plays the murderous wife Kamini, must carry the burden of acting for all three of them. She delivers admirably, pursing her lips, widening her eyes and giving us five expressions when only one would have sufficed.

This Olympics of bad acting is constantly interrupted by brain dead Himmesh songs. A sample of the lyrics: If loving you is wrong, I don’t want to be right, Tandoori Nights, Tandoori Nights. Giving the songs stiff competition are the dialogues. At one point, Himmesh playing the rock star Monty is trying to convince Kamini that he is the reincarnation of her long dead husband. He says he will give her intimate details that only a husband can know and proceeds to say:Jab tum kiss karti ho tumhari aank hen band ho jaati hain.Monty presumably knows many people who kiss with their eyes open.

The original Karz was a superbly orchestrated melodrama. Ghai created moments that still have the power to make your hair stand on end. Watch the climax when Kamini, played by a wonderfully elegant and icy Simi Garewal, becomes unhinged and admits that she killed her husband.

The new Karzzz is a clossal joke. At six or eight reels, it would have been a wonderful unintentional comedy – a so bad that it’s good film to add to classics like Manoj Kumar’s Clerk and Sheetal’s Honey. But at 18 reels, Karzzz is prolonged torture, steer clear.